mytravels

category :: cultural


Villa Romana del Casale


Roman exploitation of the countryside is symbolized by the Villa Romana del Casale (in Sicily), the centre of the large estate upon which the rural economy of the Western Empire was based. The villa is one of the most luxurious of its kind. It is especially noteworthy for the richness and quality of the mosaics which decorate almost every room; they are the finest mosaics in situ anywhere in the Roman world.

Su Nuraxi di Barumini


During the late 2nd millennium B.C. in the Bronze Age, a special type of defensive structure known as nuraghi (for which no parallel exists anywhere else in the world) developed on the island of Sardinia. The complex consists of circular defensive towers in the form of truncated cones built of dressed stone, with corbel-vaulted internal chambers. The complex at Barumini, which was extended and reinforced in the first half of the 1st millennium under Carthaginian pressure, is the finest and most complete exa... Read More

Cilento and Vallo di Diano


The Cilento is an outstanding cultural landscape. The dramatic groups of sanctuaries and settlements along its three east–west mountain ridges vividly portray the area's historical evolution: it was a major route not only for trade, but also for cultural and political interaction during the prehistoric and medieval periods. The Cilento was also the boundary between the Greek colonies of Magna Graecia and the indigenous Etruscan and Lucanian peoples. The remains of two major cities from classical times, Paes... Read More

Villa Adriana


The Villa Adriana (at Tivoli, near Rome) is an exceptional complex of classical buildings created in the 2nd century A.D. by the Roman emperor Hadrian. It combines the best elements of the architectural heritage of Egypt, Greece and Rome in the form of an 'ideal city'.

Assisi


Assisi, a medieval city built on a hill, is the birthplace of Saint Francis, closely associated with the work of the Franciscan Order. Its medieval art masterpieces, such as the Basilica of San Francesco and paintings by Cimabue, Pietro Lorenzetti, Simone Martini and Giotto, have made Assisi a fundamental reference point for the development of Italian and European art and architecture.

Val di Noto


The eight towns in south-eastern Sicily: Caltagirone, Militello Val di Catania, Catania, Modica, Noto, Palazzolo, Ragusa and Scicli, were all rebuilt after 1693 on or beside towns existing at the time of the earthquake which took place in that year. They represent a considerable collective undertaking, successfully carried out at a high level of architectural and artistic achievement. Keeping within the late Baroque style of the day, they also depict distinctive innovations in town planning and urban buildi... Read More

Villa d'Este


The Villa d'Este in Tivoli, with its palace and garden, is one of the most remarkable and comprehensive illustrations of Renaissance culture at its most refined. Its innovative design along with the architectural components in the garden (fountains, ornamental basins, etc.) make this a unique example of an Italian 16th-century garden. The Villa d'Este, one of the first giardini delle meraviglie , was an early model for the development of European gardens.

Val d'Orcia


The landscape of Val d’Orcia is part of the agricultural hinterland of Siena, redrawn and developed when it was integrated in the territory of the city-state in the 14th and 15th centuries to reflect an idealized model of good governance and to create an aesthetically pleasing picture. The landscape’s distinctive aesthetics, flat chalk plains out of which rise almost conical hills with fortified settlements on top, inspired many artists. Their images have come to exemplify the beauty of well-man... Read More

Sacri Monti


The nine Sacri Monti (Sacred Mountains) of northern Italy are groups of chapels and other architectural features created in the late 16th and 17th centuries and dedicated to different aspects of the Christian faith. In addition to their symbolic spiritual meaning, they are of great beauty by virtue of the skill with which they have been integrated into the surrounding natural landscape of hills, forests and lakes. They also house much important artistic material in the form of wall paintings and statuary.

Etruscan Necropolises


These two large Etruscan cemeteries reflect different types of burial practices from the 9th to the 1st century BC, and bear witness to the achievements of Etruscan culture. Which over nine centuries developed the earliest urban civilization in the northern Mediterranean. Some of the tombs are monumental, cut in rock and topped by impressive tumuli (burial mounds). Many feature carvings on their walls, others have wall paintings of outstanding quality. The necropolis near Cerveteri, known as Banditaccia, co... Read More

Syracuse


The site consists of two separate elements, containing outstanding vestiges dating back to Greek and Roman times: The Necropolis of Pantalica contains over 5,000 tombs cut into the rock near open stone quarries, most of them dating from the 13th to 7th centuries BC. Vestiges of the Byzantine era also remain in the area, notably the foundations of the Anaktoron (Prince’s Palace). The other part of the property, Ancient Syracuse, includes the nucleus of the city’s foundation as Ortygia by Greeks from Corinth ... Read More

Genoa


The Strade Nuove and the system of the Palazzi dei Rolli in Genoa’s historic centre date from the late 16th and early 17th centuries when the Republic of Genoa was at the height of its financial and seafaring power. The site represents the first example in Europe of an urban development project parcelled out by a public authority within a unitary framework and associated to a particular system of ‘public lodging’ in private residences, as decreed by the Senate in 1576. The site includes an... Read More

Mantua and Sabbioneta


Mantua and Sabbioneta, in the Po valley, in the north of Italy, represent two aspects of Renaissance town planning: Mantua shows the renewal and extension of an existing city, while 30 km away, Sabbioneta represents the implementation of the period’s theories about planning the ideal city. Typically, Mantua’s layout is irregular with regular parts showing different stages of its growth since the Roman period and includes many medieval edifices among them an 11th century rotunda and a Baroque the... Read More

Piazza del Duomo, Pisa


Standing in a large green expanse, Piazza del Duomo houses a group of monuments known the world over. These four masterpieces of medieval architecture – the cathedral, the baptistry, the campanile (the 'Leaning Tower') and the cemetery – had a great influence on monumental art in Italy from the 11th to the 14th century.

Residences of the Royal House of Savoy


When Emmanuel-Philibert, Duke of Savoy, moved his capital to Turin in 1562, he began a vast series of building projects (continued by his successors) to demonstrate the power of the ruling house. This outstanding complex of buildings, designed and embellished by the leading architects and artists of the time, radiates out into the surrounding countryside from the Royal Palace in the 'Command Area' of Turin to include many country residences and hunting lodges.

Longobards in Italy


The Longobards in Italy, Places of Power, 568 - 774 A.D. comprises seven groups of important buildings (including fortresses, churches, and monasteries) throughout the Italian Peninsula. They testify to the high achievement of the Lombards, who migrated from northern Europe and developed their own specific culture in Italy where they ruled over vast territories in the 6th to 8th centuries. The Lombards synthesis of architectural styles marked the transition from Antiquity to the European Middle Ages, d... Read More

Naples


From the Neapolis founded by Greek settlers in 470 B.C. to the city of today, Naples has retained the imprint of the successive cultures that emerged in Europe and the Mediterranean basin. This makes it a unique site, with a wealth of outstanding monuments such as the Church of Santa Chiara and the Castel Nuovo.

Medici Villas and Gardens


Twelve villas and two gardens spread across the Tuscan landscape make up this site which bears testimony to the influence the Medici family exerted over modern European culture through its patronage of the arts. Built between the 15th and 17th centuries, they represent an innovative system of construction in harmony with nature and dedicated to leisure, the arts and knowledge. The villas embody an innovative form and function, a new type of princely residence that differed from both the farms owne... Read More

Vineyard Landscape of Piedmont


This landscape covers five distinct wine-growing areas with outstanding landscapes and the Castle of Cavour, an emblematic name both in the development of vineyards and in Italian history. It is located in the southern part of Piedmont, between the Po River and the Ligurian Apennines, and encompasses the whole range of technical and economic processes relating to the winegrowing and winemaking that has characterized the region for centuries. Vine pollen has been found in the area dating from the 5th century... Read More

Arab Norman Palermo


Located on the northern coast of Sicily, Arab-Norman Palermo includes a series of nine civil and religious structures dating from the era of the Norman kingdom of Sicily (1130-1194): two palaces, three churches, a cathedral, a bridge, as well as the cathedrals of Cefalú and Monreale. Collectively, they are an example of a social-cultural syncretism between Western, Islamic and Byzantine cultures on the island which gave rise to new concepts of space, structure and decoration. They also bear testimony to the... Read More

Florence


Built on the site of an Etruscan settlement, Florence, the symbol of the Renaissance, rose to economic and cultural pre-eminence under the Medici in the 15th and 16th centuries. Its 600 years of extraordinary artistic activity can be seen above all in the 13th-century cathedral (Santa Maria del Fiore), the Church of Santa Croce, the Uffizi and the Pitti Palace, the work of great masters such as Giotto, Brunelleschi, Botticelli and Michelangelo.

Ivrea


The industrial city of Ivrea is located in the Piedmont region and developed as the testing ground for Olivetti, manufacturer of typewriters, mechanical calculators and office computers. It comprises a large factory and buildings designed to serve the administration and social services, as well as residential units. Designed by leading Italian urban planners and architects, mostly between the 1930s and the 1960s, this architectural ensemble reflects the ideas of the Community Movement (Movimento Comunità). ... Read More

Aquileia


Aquileia (in Friuli-Venezia Giulia), one of the largest and wealthiest cities of the Early Roman Empire, was destroyed by Attila in the mid-5th century. Most of it still lies unexcavated beneath the fields, and as such it constitutes the greatest archaeological reserve of its kind. The patriarchal basilica, an outstanding building with an exceptional mosaic pavement, played a key role in the evangelization of a large region of central Europe.

Horyu ji


There are around 48 Buddhist monuments in the Horyu-ji area, in Nara Prefecture. Several date from the late 7th or early 8th century, making them some of the oldest surviving wooden buildings in the world. These masterpieces of wooden architecture are important not only for the history of art, since they illustrate the adaptation of Chinese Buddhist architecture and layout to Japanese culture, but also for the history of religion, since their construction coincided with the introduction of Buddhism to Japan... Read More

Himeji jo


Himeji-jo is the finest surviving example of early 17th-century Japanese castle architecture, comprising 83 buildings with highly developed systems of defence and ingenious protection devices dating from the beginning of the Shogun period. It is a masterpiece of construction in wood, combining function with aesthetic appeal, both in its elegant appearance unified by the white plastered earthen walls and in the subtlety of the relationships between the building masses and the multiple roof layers.